The Films of Alan Rickman
Alan Rickman On Stage
Alan Rickman Audio Tapes
Barbara's Alan Rickman Wallpaper
The Monthly Rickmanista
The Rickmaniac Cookbook
Links to other Alan Rickman-related websites
Not The Official Sequels

AUDIO

If velvet could speak, it would sound like Rickman
Sandy Bauers, The Philadelphia Inquirer

This page contains reviews of audio tapes recorded by Alan Rickman.

Since Mr. Rickman's fans are very taken (in a figurative way, of course) by his sexy hands, everything we review will be rated with hands. Five hands = best rating. No hands = lowest rating.

Your reviews are welcome, and I will gladly post them, so please send a review!

A March 2001 article in The Observer states "the actor Alan Rickman has Britain's favourite bedtime reading voice". This page lists several of his audio works. (link courtesy of Trisha)

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The Reviews

Billy And Me, not reviewed yet, but some information about it.
The following are reviewed
A Little Like Drowning, 1989, in its own page
NEW! A Trick To Catch The Old One
Blind Corner, in its own page
Blood Wedding, the first audio to get its own page
Magic Of My Youth, reviewed by Raffaella
The Return Of The Native, in its own page
Rope, in its own page
That Man Bracken, reviewed by Anon.
Things Change
Mike Oldfield's Tubular Bells II
Victoria Wood
Released on February, 2002 When Love Speaks

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Billy And Me

Broadcast on BBC Radio 4

The Peter Barnes site, a link of interest to theater fans, quotes,

Alan Rickman in Billy and Me

Billy is a dummy created by Jennings, a ventriloquist who has gone mad and who converses with them as part of his act and of his delusion that they live; partly recognising his condition, Jennings tells Billy, "The fact that you're becoming more independent is a sure sign I'm becoming schizophrenic" but as his madness overcomes his reason, he accepts Billy's order, "Now we've got some practising to do. After all, you may be schizophrenic but you're still a pro."

As far as I can ascertain this audio tape is not currently available. If you have more information, please e-mail me. Thank you.

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A Trick To Catch The Old One

This BBC radio play dates back to the early 1980s
Reviewed by Suzanne S; posted on September 8, 2003
Overall rating: 5 hands
Rickmanista rating: 5 hands

I wasn't sure if I would enjoy or even understand this early 17th Century play by Thomas Middleton, but with surprisingly minor adjustments, Peter Barnes' radio adaptation manages to update and clarify it so that even I can delight in the broad and often lewd humor that must have had its original audiences rolling with laughter.
"A Trick to Catch the Old One" takes place in a society where money is everything and deception and scheming in its pursuit are par for the course. Alan Rickman's character Theodorus Witgood begins the story, lamenting the loss of his assets through "brothel, drink and danger." Most distressing of all, the mortgage of his lands is now in the hands of his uncle, Pecunius Lucre. Witgood soon devises a plan to get some cash by passing off his courtesan Flavia as a rich widow, soon to be his wife. He knows that his avaricious uncle will be more than willing to loosen his purse strings to secure a match that would bring wealth to his nephew, which, through his nephew's folly, might in time come to himself. The ruse snowballs to include other equally greedy and scheming characters, most notably Lucre's adversary, Walkadine Hoard, hilariously voiced by Peter Bayliss. Alan Rickman's Witgood is a major character so there's plenty of him to enjoy and it is a joy to hear him in this play. His laughter alone, more raucous than I've ever heard from him before, is enough to compel me to give this radio play a rating of 5 hands in both categories

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Blind Corner has its own page

Blood Wedding, the first audio to get its own page

Magic Of My Youth

Reviewed by Raffaella, 3 April, 1998

by Arthur Calder Marshall

Read by (guess who?) Alan Rickman

Overall rating: 4 hands

Rickmaniac rating: 5 hands

Magic of my Youth is the incomplete* (?) autobiography of Arthur Calder Marshall. There is no real plot: all we hear is a man recalling funny episodes from his youth.

The narration is highly entertaining and the rythm of the prose immediately attracts our attention. The narrator, who once was a young student equally interested in poetry and...black magic, introduces us to a host of bizarre characters: sorcerers, poets, bores, would-be witches. Auntie Helen, a paranoid, spirited, artists-loving spinster and Hugh, an annoying fellow student, stand out among them.

Mr Rickman's characterization is impressive and often exhilarating; all the characters have their own distinctive way of speaking: Auntie Helen's almost epic intonation and Hugh's deep, sleepy voice are unforgettable, but we can actually admire Mr Rickman's wit and ability as a reader in the handling of minor characters such as the surrealistic, speedy speaking dean.

I suppose Magic of my Youth is very hard to find. I had a copy from a kind fellow Rickmaniac (thank you again!), but the recording is barely audible. Anyway, if you can grab it, you won't be disappointed at all.

*Editor's note: Raffaella is not sure whether the story is meant to be incomplete -- as some stories go -- or whether the tape she received was incomplete, therefore the question mark.
Fausta thanks Raffaella for her review.

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That Man Bracken

By Thomas Kilroy
BBC Radio Play Pre-1985

Reviewed by Anon, 6 March, 2003
Overall Rating 4 hands
AR Rating 5 hands

Brendan Bracken was born in Co. Tipperary in 1901. He died 57 years later, being Viscount Bracken of Christchurch.

“I cannot vouch for the accuracy of any of this, even what is verifiable, since it is all fiction. It has been put together to make a point. When a man wipes out his existence and invents a new one in its place he may have criminal or artistic tendencies. There is a possible 3rd explanation that may be acting out of a condition of a culture from which he is trying so desperately to escape. This is the story of a man who invented himself.” – Narrator.

Brendan Bracken’s first few words have a slight Irish accent (to my ear, anyway) before slipping into the perfect tones of a slightly tetchy, bored English gentleman. He is dying. “Most people die of tiredness, which must be a bore”. He talks quickly, answering his own questions, intimately inviting us to feel the spot where his cancer is, to come and look out of the window at his mysterious brother.

The rest of the story covers Bracken’s life, from his sudden appearance into English political society reinventing his past, his schooldays, his Oxford education and his friendship with Churchill as well as his success as a publisher (The Economist, etc).

The story is wonderfully acted by the whole cast. It is very amusing as long as you do not find the completely non-politically correct, old-fashioned, Colonial comments on foreigners etc. offensive. The play is a delight to anyone who enjoys listening to wonderful voices. TP McKenna’s mellifluous Celtic tones as the Narrator are a treat as, of course, is Alan Rickman. A lovely example of Alan Rickman’s earlier work.

back to the top of the page The Return Of The Native, in its own page

Rope, in its own page

Things Change

1995

Reviewed by Georgiana, 27 March 2002

The little-known and hard-to-find 1995 CD, "Things Change," by erstwhile British pub rocker Charlie Dore contains a track entitled "Refuse to Dance," with the credited speaking voice of Alan Rickman.

Rickman's beloved and distinctive baritone underlies the first strains of music with "Wouldn't you dance? Everyone else is..." then serves as sort of percussion under the refrain ("Refuse to dance...") with a total of 11 repetitions of the phrases:

"Fox trot,
"Tango,
"Quick step,
"Samba."
An especially long refrain gives us also two repetitions of:
"Slow,
"Slow,
"Quick, quick,
"Slow."
However we missed this one, I have no idea, but it is a lovely addition to a Rickman collection, if you can find it. Charlie has a lovely clarion voice and the tunes are clever, amusing, and move one to dance. Not to mention the dulcet tones of that unmistakable 'oil dropping on velvet.'

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Tubular Bells II

Not rated as an audio book
This is a music CD, where Alan Rickman -- whose name is not listed in the credits -- introduces the different instruments used on the compositions. It is enjoyable as music. Rickman fans will certainly enjoy hearing his voice. However, fans should be advised that Mr. Rickman speaks maybe a total of 30 words or so in the entire CD, which of course he does well.

You might want to listen to the CD before you purchase it, since, to me, at least, listening to Mr. Rickman speak a few dozen recorded words is not worth the price. If you enjoy the music, then buy it. Don't buy it just to hear AR.

Reviewed by Fausta, 11 January, 1999. I listened to this CD once at the music store.

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Victoria Wood

Not rated as an audio book

Victoria Wood is a comedienne, and this tape features several of her routines. Mr. Rickman makes a brief (and I do mean brief) appearance in a skit that relates to a (prior) television interview he had in the late 1980’s where the interviewer mispronounced his name.
If you like humor tapes, buy it. Don’t buy it just to hear Mr. Rickman. You’ll hear him speak even fewer words than in Tubular Bells.

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